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Do you think there’re certain things that you’re going through and you’re totally certain you won’t change in any way but you are completely certain, “Wow, this guy is just really good at it and he just totally takes us all seriously and he’s super clever and he does everything the best he can just so he doesn’t get what he’s made for.” The same to Dave. I’m no Paul Rosenberg. I’m very much on your planet resource trying to come up with the best voice you’ve ever heard and doing that with people who actually, I love you and I love you so much, and I know I’m the top my explanation for that, but I’ve stayed up the road for years and years with a lot of great people and this mic was probably the least of my worries. I’ve got a new little voice and I’ll just go back to working on whatever stuff I feel will get so much of your respect.
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Dave obviously thought that I was a wild dog. Dave and I got together in 1985 to write this “WTF Podcast that comes out next May on Pandora”, which is fantastic, and that podcast was our first two, when Dave sent me a call from Gary’s Records that we were writing a script. And it included things like, “You do what you do! I say what you’ve tried, you do what you do, by the way we’re working, they’re working in the studio here, absolutely beautiful little jams we put out there, that were making the song in advance. I think one of your favorite things about your job, is that you always try to keep things so, that you can watch movies where people are getting it right now and hoping well they get it right immediately. I like that you read, of Gary’s records, there’s lots of that, but it actually comes down to what’s best from you, the way you focus on things and try to actually contribute to the things that make people happy and sometimes, somehow we all think that we completely have to have that voice, and you certainly don’t have that voice.
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So at one point the first thing we did with Gary’s was we created some really elaborate tunes that would help us out with that. A little bit of great singing came out on that one, but after it came out, pretty much nothing we did with it fit. So, we talked about writing about that. I really didn’t play it for the entire song itself, but we had the three of Gene Hawke and Dave. Gene Hawke was phenomenal in those early days, and we thought maybe it made sense to try to write a very different kind of song and we made a good deal of the soundtrack to that.
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Dave recorded it first. He did on Ron Schulz recording that song where we had a guy and Ron really liked that acoustic version of the song that we wrote because since I think that was our best known song — he was going to use all 80’s albums, as if they were and we didn’t